20 Comments

Thanks for the opportunity! I think it would be nice if we had more task at home related to the technics that Scott is teaching us!

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This might be the most sought after, story breakdowns using his previous works as examples

Another would be expanding on the techniques and strategies he provides in his lectures. The monthly 2-hour lectures are awesome if Snyder can provide more focused discussions on how to use those techniques and strategies. That would be even more awesome!

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Hi Tyler! I know that Scott broke into comics from an established career in prose, but for those of us without a pre-existing body of work I would love tips about how we can present our scripts for publication. Is the answer just save your money and hire an artist to draw one of your scripts or does Scott have any other ideas?

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Thanks, Tyler/Scott! I would love to hear more about world-building. I had thrown up a similar question for the first Zoom, so pardon my repetition. I tend to write fantasy and science fiction, but the world-building processes can be daunting. How does a writer know when to stop world-building and start writing? Alternately, how does one know if they need to stop writing and return to world-building? I have been in a space where world-building has overtaken the actual project, but I love to read works that seem fleshed out with detail. Where is the sweet spot?

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I agree with all the posts asking for more practical applications/homework assignments to reinforce the things Scott has/will cover.

Some additional suggestions:

-The business side of writing (good vs. bad contracts, when does writing comics become a full-time gig or not require you to work another "primary" job, things to keep an eye out for to avoid being taken advantage of, etc...)

-"A day in the life" kind of post going through a typical work day

-How collaboration generally goes with an artist (Do you talk a bit before writing the script or present them with the whole thing, is there a lot of back-and-forth while the pages are being drawn, do you communicate strictly through email, etc...), particularly regarding all the newer stuff and all the different, stellar artists you're working with on those

-How you schedule your writing/balance your workload between multiple books

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Some ideas: What software you use (if any) to jot down notes, brainstorm, world build, outline, write, etc.? Are there any moods, times or seasons when your writing seems to wax or wane? How do you get your inner critic to shut up?

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I have a multiple choice question for you guys:

HOW DOES IT WORK:

A. You are an illustrator, talented. And you have a story for your work and you are looking for a comic writer that can convey what you are envisioning in terms of story. Since your work is more labor intense and your talent un-matched, you are able to get your story made instead of whatever story idea the writer may want to write. You win, the writer writes your story to suit your art.

B. You are a comic writer with a story/multi-platform project for which the the pilot, treatment/bible summary and 10 page pitch deck conveying the imagery is already written as a 1hr drama for the VOD segment of the project. It's sensational. It is the very definition of "having legs". It is something quite new. But Hollywood has gone missing, so here you are in Pulp Fiction trying to find other female driven graphic novels. You do, but boy do you see an opportunity with even greater clarity to make a lot of people happy with your idea. But you are a nerd, can't draw and the only thing you can think of to further your career is to show up to the next Ink and Drink for the drinking portion of the itinerary and see wtf is going on. You meet a bunch of amazing and talented illustrators. You find one that draws the style you have been imagining. You trust her enough to show her your pitch deck and 2 page treatment. She loves it, wants to do it, and you toast to a new adventure for which neither one of you are prepared.

C. Scott knows what do do and tells you bc you are old and going for speed.

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Further discussion on the innerworkings of self-publishing and a writer's role in the industry from a day-to-day standpoint. It's less flashy, and likely to be covered later in class, but I find myself fascinated with that stuff; for example, I really enjoyed watching some of Scott's YouTube videos where he discusses working with artists/other writers, going to cons, etc.

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I really love how you’ve gone over how to balance being a writer and just living in our everyday responsibilities. Since I graduated college I’ve been a little lost not having the guidance and push that came with assignments. I know I can do the work and create great stories, but I feel so stuck right now where it all feels impossible almost. Any advice or experience if you’ve gone through this would be amazing!

Thanks, Scott!!

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Could Scott go into detail about how copyright works in comics, like how do I make sure I own my comic book ideas. Should I apply for the rights before the comic is made or do I just need to copy and paste a basic copyright notice into the book?

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Hey again Scott,

I'd like to see more tips on healthy lifestyle choices we can make to improve our writing.

Also had a question: I know a lot about how to begin but what about the endgame: lasting legacy, leaving an impact posthumously. How do you develop a personal philosophy and allure that stays with people for years to come? What are some ways we can make our work "immortal"? Have you ever thought about your legacy?

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How does he decide how much to set the scene? Like how much to write in the script, or just talk to the artist about.

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Hi Tyler, Thanks for the opportunity. I wanted to ask if Scott has any advice about getting into good writing habits. I’ve recently found out that I most likely have adult ADHD. My organisation skills are terrible, I have many great pitches and ideas but I struggle to get into actually making time to work on writing. Any advice would would be really appreciated. I also have been really enjoying the newsletters and I have listened to all of them. Loving it all so far and thanks to Scott, you and all those contributing 🙏🏼

Thank you,

Samir

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For either a newsletter or a class, I'd love a breakdown on what makes a PERFECT one-shot comic, a perfect standalone issue. Thanks! :)

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Hey Scott, I was thinking that we need more practice to make sure that everything we learn from you doesn't go in one ear and out another. So how about more homework assignments (I can't believe I said that) to help us, especially we who are dipping our toes into this pool for the real first time, hone our skills and refine out styles and methods. Just whatever comes to mind for you. Thanks Prof!

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Recommended Reading for his various topics. Example, when we talk about character arcs - what are some comics/books that demonstrate different kinds of arcs or different ways of portraying the character's arc.

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